The Circle Author: Visit Amazon's Dave Eggers Page | Language: English | ISBN:
0385351399 | Format: PDF
The Circle Description
Amazon.com Review
An Amazon Best Book of the Month, October 2013: As a fiction writer, indie publishing icon and education activist Dave Eggers neither suffers fools gladly nor treads lightly. With his signature mix of intelligence and highly literate snark, he dives headlong into contemporary crises--Hurricane Katrina, the Sudanese civil war--through the lens of a single character whose perspective we get to know intimately. In his new novel, Eggers tackles a modern problem that doesn't always seem like one: our near constant hunger for communication. When Mae Holland takes a job at the Circle, a tech giant with a utopian culture and cultlike following (Eggers didn't call it Schmoogle, but may as well have), she quickly loses sight of her friends, family, and sense of self in favor of professional success and social acceptance. As her Circle star rises, Mae succumbs to the corporate code of full disclosure, eventually agreeing to "go transparent" and let the public watch--and comment on--her every move. "Privacy is theft," decrees the company motto; "Secrets are lies." It's not subtle, but neither were "Harrison Bergeron" and 1984, and in its best moments The Circle is equally terrifying. Let's just hope it's not prescient. --Mia Lipman
From Booklist
*Starred Review* Most of us imagine totalitarianism as something imposed upon us—but what if we’re complicit in our own oppression? That’s the scenario in Eggers’ ambitious, terrifying, and eerily plausible new novel. When Mae gets a job at the Circle, a Bay Area tech company that’s cornered the world market on social media and e-commerce, she’s elated, and not just because of the platinum health-care package. The gleaming campus is a wonder, and it seems as though there isn’t anything the company can’t do (and won’t try). But she soon learns that participation in social media is mandatory, not voluntary, and that could soon apply to the general population as well. For a monopoly, it’s a short step from sharing to surveillance, to a world without privacy. This isn’t a perfect book—the good guys lecture true-believer Mae, and a key metaphor is laboriously explained—but it’s brave and important and will draw comparisons to Brave New World and 1984. Eggers brilliantly depicts the Internet binges, torrents of information, and endless loops of feedback that increasingly characterize modern life. But perhaps most chilling of all is his notion that our ultimate undoing could be something so petty as our desperate desire for affirmation. HIGH-DEMAND BACKSTORY: Eggers’ reputation as a novelist continues to grow. Expect this title to be talked about, as it has an announced first printing of 200,000 and the New York Times Magazine has first serial rights. --Keir Graff
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- Hardcover: 504 pages
- Publisher: Knopf (October 8, 2013)
- Language: English
- ISBN-10: 0385351399
- ISBN-13: 978-0385351393
- Product Dimensions: 8.7 x 6.3 x 1.7 inches
- Shipping Weight: 1.7 pounds (View shipping rates and policies)
The Circle is Dave Eggers’ response to what’s happening to us all: the fundamental transformation of human society created by perpetual electronic connectedness. Surely you’ve felt it. I know I have...and I’m glad that a major novelist like Eggers has taken it on. Someone needs to.
Eggers wraps his criticism of this phenomenon around a company called The Circle, a thinly disguised version of Google. We experience the inner workings of The Circle through our protagonist Mae who has landed her dream job of being a “Circler,” one of the most coveted and hippest jobs that a young 20-something could hope for.
The Circle is, from the outset, a creepy sort of insulated company in which every possible need of the Circlers (almost all of whom are under 30) is provided for: on site parties headlined by notable performers, clothing stores stocking the latest products, residences and more. Circlers need never leave the campus (and why would they want to? Surely there could be no more exciting place in the world to be). Oh, one catch: make sure to always be participating in the company’s social media at all times; a failure to participate might indicate that you’re not a team player or worse....you might be antisocial. One thing the Circle cannot abide is a lack of complete participation at all times.
Mae quickly adapts to the ways of the Circle, easily embracing each new layer of required transparency and tracking. As a young person with nothing to hide, she can’t see any inherent difficulties in this prospect. Why wouldn’t you want to share as much as possible with everyone? Sharing--in the words of one of the Circle’s founders--is caring. Keeping information to yourself is actually an act of theft.
1. If a social media corporation were to achieve a complete monopoly of all public and private information, we'd be in danger of becoming a totalitarian society.
2. People often willingly give up their privacy for convenience, societal benefit, or a needy and self-centered desire for affirmation.
If these premises seem facile to you, you might not enjoy Dave Egger's new novel, the Circle.
The writing is straight, mainstream, third-person limited narration. You won't find any of the layered themes, complex metaphor, formal experimentalism, stylistic prose or psychological lyricism common in modern literary fiction. Whether you'll consider this a bug or a feature is mainly a matter of taste; but it's worth mentioning, given Eggers' McSweeney's pedigree (this is the first book I've read by Eggers, so I wasn't sure what to expect).
The protagonist is Mae Holland, an enthusiastic, naive and downright submissive young woman (surprise) who gets a job in customer service at the Circle, a company which, having subsumed Google, Facebook and Twitter, is on the brink of achieving the complete monopoly mentioned above. Mae does not think deeply or critically about anything that happens to her, and her motivations are often inexplicable. These are qualities that serve Eggers' narrative goals more effectively than they do the reader's enjoyment.
Eggers' goals seem to ride directly on the surface of the narrative. Almost every scene reads like a mini-lesson on the deceptive utopianism of the huge dot-coms, the superficiality and false emotional appeal of online "sharing", or the creepiness of voluntary corporate surveillance.
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