The Death and Life of Great American Cities Author: Jane Jacobs | Language: English | ISBN:
0679644334 | Format: PDF
The Death and Life of Great American Cities Description
Published to coincide with the 50th anniversary of its initial publication, this special edition of Jane Jacobs’s masterpiece, The Death and Life of Great American Cities, features a new Introduction by Jason Epstein, the book’s original editor, who provides an intimate perspective on Jacobs herself and unique insights into the creation and lasting influence of this classic.
The Death and Life of Great American Cities was described by The New York Times as “perhaps the most influential single work in the history of town planning. . . . [It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of traditional planning theory can still be read for pleasure even by those who long ago absorbed and appropriated the book’s arguments.” Jane Jacobs, an editor and writer on architecture in New York City in the early sixties, argued that urban diversity and vitality were being destroyed by powerful architects and city planners. Rigorous, sane, and delightfully epigrammatic, Jane Jacobs’s tour de force is a blueprint for the humanistic management of cities. It remains sensible, knowledgeable, readable, and indispensable.
- Series: Modern Library
- Hardcover: 640 pages
- Publisher: Modern Library; 50 Anv edition (September 13, 2011)
- Language: English
- ISBN-10: 0679644334
- ISBN-13: 978-0679644330
- Product Dimensions: 7.4 x 5.1 x 1.5 inches
- Shipping Weight: 1.4 pounds (View shipping rates and policies)
This 1961 book by Jane Jacobs, a one-time writer for architectural magazines in New York City, turned the world of city planning on its head. The author, who possessed no formal training in architecture or city planning, relied on personal observations of her surroundings in Greenwich Village in New York City to supply ammunition for her charges against the grand muftis of the architectural profession. "The Death and Life of Great American Cities" consists mostly of common sense observations, but there is also a good amount of statistical information, economics, sociology, and some philosophy at the base of the author's arguments. This 1993 Modern Library reprint seeks to bring Jacobs's work to a whole new generation of readers, a necessity when one realizes that a majority of the problems plaguing cities in 1961 continue to be a problem today.
Jacobs begins her book with a brief history of where modern city planning came from. According to the author, the mess we call cities today emerged from Utopian visionaries from Europe and America beginning in the 19th century. Figures such as Ebenezer Howard, Lewis Mumford, Le Corbusier, and Daniel Burnham all had a significantly dreadful impact on how urban areas are built and rebuilt. These men all envisioned the city as a dreadful place, full of overcrowding, crime, disease, and ugliness. Howard wished to destroy big cities completely in order to replace them with small towns, or "Garden Cities," made up of small populations. Similar in thought to Howard, Mumford argued for a decentralization of cities into thinned out areas resembling towns. Le Corbusier, says Jacobs, inaugurated yet another harmful plan for cities: the "Radiant City.
Even 35 years after it was written, The Death and Life of Great American
Cities remains the classic book on how cities work and
how urban planners and others have naively destroyed
functioning cities. It is widely known for its incisive
treatment of those who would tear down functioning neighborhoods
and destroy the lives and livelihoods of people for the sake of a
groundless but intellectually appealing daydream.
But although many see it as a polemic against urban planning,
the best parts of it, the parts that have endeared it to
many who love cities, are quite different. Death and Life
is, first of all, a work of observation. The illustrations
are all around us, she says, and we must go and look. She
shows us parts of the city that are alive -- the streets,
she says, are the city that we see, and it is the streets and
sidewalks that carry the most weight -- and find the patterns
that help us not merely see but understand. She shows us the city as
an ecology -- a system of interactions that is more than
merely the laying out of buildings as if they were a
child's wooden blocks.
But observation can mean simply the noting of objects.
Ms. Jacobs writes beautifully, lovingly, of New York
City and other urban places. Her piece "The Ballet of
Hudson Street" is both an observation of events on the
Greenwich Village street where she lived and a prose poem
describing the comings and goings of the people, the rhythms
of the shopkeepers and the commuters and others who use the
street.
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