“[Pavone is] a reliable new must-read in the world of thrillers. . . . He just keeps the shocks coming. . . . Pavone lards this book with keen, bittersweet observations about the publishing world, details that become a big, poignant part of its appeal. . . . You will want to finish
The Accident at a nice, rapid clip to see how [the] pieces come together. . . . Unputdownable.”
—The New York Times “A fast-paced, airport-ready thriller. . . . Pavone writes well about the politics of modern publishing.”
—Entertainment Weekly “A wayward manuscript may be the key to reviving literary agent Isabel Reed’s career— if it doesn’t get her killed first. A sly globetrotting spy thriller that gives new meaning to publish or perish.”
—Family Circle “Marvelous. . . . The deft plot globetrots and en route provides glamorous locales as well as twisty turns in suspense.”
—New York Daily News“Chris Pavone is the new best thing.
The Accident proves the promise of
The Expats. It is as intelligent and timely as it is relentless and gripping. Pavone is going to be around for a long time and now is the time to jump on the train.” —
Michael Connelly“[Pavone] has outdone himself with this amazing thriller. . . . Full of constant surprises [
The Accident] is jam-packed with everything from media moguls to conspiracies. This is a truly great read!”
—Suspense Magazine “[A] high-wire thriller. . . . The suspense is palpable.”
—Publishers Weekly (starred review)
“Pavone’s plot twists tirelessly, shifting focus among a large cast of well-drawn characters. . . . Many readers will read this one through the night.”
—Booklist (starred review) “[An] engaging thriller, driven by compelling portraits of desperate characters.”
—Library Journal “Pavone knows the formula for a best-seller and keeps the reader turning the pages.”
—Kirkus“Chris Pavone's many fans will not be disappointed with
The Accident, his fast-paced, twisting, smart follow-up to
The Expats. Cleverly plotted, filled with surprises, a terrific read.”
—William Landay, New York Times bestselling author of Defending Jacob
“The world of book publishing has never been more perilous or mesmerizing than in Chris Pavone’s dizzyingly good follow-up to
The Expats. The dark eruption of long-buried secrets, complex betrayals further snagged by sex and greed, and eleventh-hour desperate gambits for reinvention all propel a whirlwind story that will keep you up way past your bedtime. Crafty, stylish,
satisfying.”
—Paula McLain, New York Times bestselling author of The Paris Wife"Clever, sophisticated, and propulsive. I am constantly awed by Chris Pavone's writing. He's already one of the best in the thriller business."
—Joseph Finder, New York Times bestselling author of Paranoia and SuspicionPraise for
The Expats "Sly. . . . Pavone strengthens this book with a string of head-spinning revelations in its last pages. . . . The tireless scheming of all four principals truly exceeds all sane expectations.” —
The New York Times“Bombshell-a-minute. . . . Pavone creates a fascinating, complicated hero.”
—Entertainment Weekly“A gripping spy drama and an artful study of the sometimes cat-and-mouse game of marriage.” —
Family Circle“Smartly executed. . . . Pavone is full of sharp insights into the parallels between political espionage and marital duplicity. . . . Thoroughly captivating.” —
The New York Times Book Review“Superb. . . . [Pavone] expertly draws readers along with well-timed clues and surprises. . . . An engineering marvel.” —
Richmond Times-Dispatch“Expertly and intricately plotted, with a story spiraling into disaster and a satisfyingly huge amount of double-crossing,
The Expats certainly doesn’t feel like a first novel. This is an impressively assured entry to the thriller scene.” —
The Guardian (London)“Refreshingly original. . . . Part Ludlum in the pacing, part Le Carré in the complexity of story and character, but mostly Chris Pavone. . . . A thriller so good that you wonder what other ideas [Pavone] has up his cloak, right alongside the obligatory dagger.” —
The Star-Ledger“Amazing. . . . Impossible to put down. . . . Pavone invokes memories of the great writers of spy fiction of the past, and he has the chops to be mentioned with the best of them.” —
Associated Press“A blast. . . . Pavone is spinning a fantastic tale with action that spans the globe.” —
Dallas Morning News“Highly entertaining.” —
Mystery Scene“Thoroughly enjoyable.” —
Suspense Magazine“Hard to put down.” —
San Francisco Bay Guardian“Stunningly assured. . . . An intricate, suspenseful plot that is only resolved in the final pages.” —
Booklist (starred review)“Brilliant, insanely clever, and delectably readable.” —
Library Journal (starred review)“Meticulously plotted, psychologically complex. . . . The sheer amount of bombshell plot twists are nothing short of extraordinary, but it’s Pavone’s portrayal of Kate and her quest to find meaning in her charade of an existence that makes this book such a powerful read.” —
Publishers Weekly (starred review)“Impressive. . . . With almost more double-crosses than a body can stand.” —
Kirkus (starred review)“Bristling with suspense and elegantly crafted,
The Expats introduces a compelling and powerful female protagonist you won't soon forget. Well done!” —
Patricia Cornwell“I often thought I was again reading the early works of Ken Follett, Frederick Forsyth, and Robert Ludlum. Smart, clever suspense, skillfully plotted, and a lot of fun to read.” —
John Grisham“One of the best-written spy thrillers I've ever read. . . . A riveting story of great-game deceptions wrapped inside the smaller deceptions of marriage. At moments horrifying, hilarious, and very wise,
The Expats has given Chris Pavone a permanent place on my short list of must-read authors.” —
Olen Steinhauer“A gem. Clever, suspenseful with a jet fueled story that rockets from one corner of the globe to another, it is never less than a thrill a minute. . . . An absolute winner!” —
Christopher Reich“Spy stories need to budge over to make space for Kate Moore—mother, wife, expat and far more than she appears. I loved her.” —
Rosamund Lupton“Riveting. One of the most accomplished debuts of recent years: not just a worthy addition to the literature of espionage and betrayal, but a fine portrait of a marriage disintegrating under the pressure of secrets and lies.” —
John Connolly